Diesel launches global campaign asking ‘why do we build walls?’ via Geometry Global Japan

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Diesel1.jpgDiesel recently launched a short film “The Walls”, a part of its global campaign “Make Love Not Walls”, in partnership with Geometry Global Japan. In this new spot, the agency adopted a Japanese interpretation to visualize “walls” that need to be torn down.  

The film starts with a bird’s view over Tokyo at night. The Tokyo Tower in the centre completes the city’s look – glamorous, refined and urbane. And three “Love Soldiers” appear, aimed at breaking down mental and physical walls.

Three scenes symbolizing walls are set up – all very familiar to Japanese audience but also resonate with many other parts of the world. It opens with a shot of a businessman arriving hurriedly to a standing soba noodle shop. He is clearly in a rush continuously checking his phone, while his phone constantly going off with sound of new messages arriving. A girl singing a love song in a solo karaoke booth. Midway through the song she stops singing with a lonely look on her face. Two boys walking down the street together, one of the boys is attempting to put his arm around the other with the other boy pulling away looking uncomfortable.

The film follows the Love Soldiers into the locations. In each location a subtle action by each Love Soldier leads to a character noticing a new character or their current partner. In a hallway, a Love Soldier opens a door to one karaoke booth then opens another directly opposite. The girl singing the love song looks across and meets the eyes of a boy singing alone in the other booth. On the street as the uncomfortable boy turns to walk away from the other we see a Love Soldier bringing their hands together. In the restaurant the Love Soldier unscrews the lid of the pepper canister. When the businessman tries to use it, pepper spills everywhere and on to a woman next to him. His phone goes off again but instead of checking it he spends time cleaning up the mess with help from the woman next to him. In each instance the characters do not notice the Love Soldiers’ actions.

Diesel2.jpgDiesel3.jpgThe concept and story of “The Walls” originated from Japan.

Masato Mitsudera, ECD of Geometry Global Japan, said: “We aim to show that Diesel is on the frontline of creating a society we want to live in, where anyone can love anyone. The message that this video delivers is to break down the invisible walls that divide people. We hope it creates dialogue about the diversity of love, and make people feel more positive about it.”

Mr. Hitoshi Kato, Senior Vice President Marketing & Communication of DIESEL JAPAN CO.,LTD, said: “The first thing we considered when planning to localize this global campaign was the importance of making it relevant and suitable for the Japanese market. The stronger the message is, the more need there is for communications to be based on a real understanding of the local market, of the situation it is in at that particular point in time. Unless the work is created/adapted and deployed based on this understanding, there will not be many people who understand or empathize with it. What was challenging was how to localize the work while still keeping the tone and manner of the global campaign, and this was something we discussed at considerable length with the Geometry team. There were significant changes made from the original direction during the project, and the time frame was limited. However, I believe the team produced high-quality work. Also, the Geometry team who worked on this project have a very good understanding of our aims, preferences and ways of thinking, so it was very easy for us to collaborate and work with this team. True, it was tough – hard work – but we had fun working together.”

Creative credits

Agency: Geometry Global Japan

Executive Creative Director: Masato Mitsudera

Associate Creative Director: Yasushi Arikawa

Senior Art Director: Yusuke Morotomi

Junior Planner: Keiichi Toyama

Executive Producer: Hideki Ida

Senior Account Executive: Kensuke Kidani

Production: Aoi Pro. / Dictionary Films Tokyo

Executive Producers: Hisaya Kato,Peter Grasse,

Creative Supervisor: Ryan McGuire

Director: Connor Gilhooly

Director of Photography: Ivan Kovac

Post Production: Cutters Tokyo

Editor: Aki Mizutani

Colorist: Toshiki Kamei

Visual Effects Artist/Online Editor: Yusaku Yasuda

Music: Primary Colors