D&AD crowns biggest names of all-time in design and advertising at its 50th Birthday bash – CDP named top all-time D&AD Pencil winning agency; Brignull named top writer, Godfrey top art director

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black pencil.jpgLast night D&AD staged a huge party and awards ceremony in London to celebrate its 50th Birthday.

At the event, the top ranked agencies, studios and people of the last 50 years of D&AD were recognised with a one-off Award.

D&AD delved into its archive of design and advertising to uncover the businesses and people that have collected the most Pencils. The winning names were revealed and honoured with eight special awards: Most Awarded Ad Agency, Design Studio, Production Company, Brand, Art Director, Copywriter, Designer and Director. The winners in each category are listed below in alphabetical order.

THE TOP ALL TIME D&AD PENCIL WINNERS

Screen shot 2012-09-19 at 10.25.16 AM.jpgAdvertising Agency – Collett Dickenson Pearce & Partners (CDP)

Collett Dickenson Pearce & Partners (CDP) emerged from the 1960s as Britain’s most influential advertising agencies. It was a nursery for the careers of many who were to become internationally famous, including Sir Frank Lowe, Lord David Puttnam and Sir Alan Parker.

Screen shot 2012-09-19 at 10.49.24 AM.jpgUnder creative director Colin Millward (right), CDP flourished in the 70s, winning Pencils for work including Heineken, Harvey’s Bristol Cream, Bird’s Eye, Hovis, Benson & Hedges and Hamlet cigars.

Screen shot 2012-09-19 at 10.41.45 AM.jpgDesign Studio – Apple Inc.

Most people would argue that this phenomenal success has been design led.  Apple’s founder Steve Jobs was known to obsess about product design – and under the inspirational leadership of Sir Jonathan Ive the design team at Apple has produced a seemingly endless stream of beautiful, functional products.

Production Company – Gorgeous Enterprises

Founded by Chris Palmer in 1996 and shortly after joined by partners Frank Budgen and Paul Rothwell in 1997, Gorgeous have collected some 15 ‘Production Company of the Year’ titles and – in no small part due to their numerous D&AD wins – topped the Gunn Report’s Consolidated League Table of Most Awarded Production Company in The World every year from 1999-2009.

Their work includes Budgen’s classic spots for Guinness and Levi’s and Palmer’s recent work for T-Mobile.

Art Director – Neil Godfrey

Godfrey has been collecting D&AD Awards since 1967, when he worked at DDB. He continued to enjoy success when he moved to CDP with Tony Brignull during the 1970s. Godfrey worked on accounts for Remington, Bird’s Eye, Fiat, Dunn & Co, Albany and B&H. His pioneering print ad style remains hugely influential to this day.

Designer – David Hillman

In the sixties, Hillman art directed Nova magazine through it’s most successful period. In the early eighties, having become a partner at Pentagram, he executed the re-design of the Guardian that established the newspaper’s position at the forefront of UK publishing design. Hillman’s Studio was formed by the award winning graphic designer in 2006.

Director (Joint 1st Place) – Frank Budgen / Tony Kaye

After leaving Boase Massimi Pollitt advertising agency where Budgen was a copywriter and creative director, he began directing commercials full-time in 1991 through the Paul Weiland Film Co. He soon established himself as one of the foremost commercials directors in the UK and in 1997 became a partner at Gorgeous.

Kaye is a director of films, music videos, commercials, and documentaries. He’s won awards for his work for Dunlop, Volvo and Olympus amongst many others. Kaye made several well-known music videos, including ‘Runaway Train’ by Soul Asylum, ‘Dani California’ by Red Hot Chili Peppers, ‘What God Wants’ by Roger Walters and ‘Help Me’ and ‘God’s Gonna Cut You Down’ by Johnny Cash.

Screen shot 2012-09-19 at 10.44.17 AM.jpgCopywriter – Tony Brignull

Brignull began his career as a trainee at JWT but spent the majority of his working life at Collett Dickenson Pearce with interludes at DDB. With Art Director Neil Godfrey, Brignull formed probably the most successful creative partnership in the history of British Advertising. Their D&AD pencil count runs well into double figures.

Creator of many memorable commercials for the likes of Clarks shoes and Fiat cars, Brignull is probably best known for his print and poster work for I00 Pipers, Birds-Eye, Parker pens, Olympus, Whitbread and many others.

Brand – Apple Inc.

As of July 2011, Apple is the largest publicly traded company in the world by market capitalisation, as well as the largest technology company in the world by revenue and profit; more than Google and Microsoft combined. The company’s best-known products include the Macintosh line of computers, the iPod, the iPhone and the iPad.

During its 50 year history, D&AD has set the standard for excellence in design and advertising, championing the best work at its Awards shows and in the famous Annual, and nurturing future generations of creatives through its education programmes. Winning a Yellow or Black Pencil is the crowning achievement of many careers.

Says Tim Lindsay (left) D&AD CEO: “The people, companies and brands celebrated tonight are the true visionaries of the past 50 years of commercial creativity. Their work has changed the way we live our lives, the way we communicate and the way we perceive businesses and each other. 

D&AD is the hardest award in the world to win, so those that have made this list really do represent the peak of creative achievement in the creative industry. D&AD was set up in 1962 to promote the value of design and creative business communication. Some of the biggest talents in the world have since won Pencils and been educated through D&AD’s programmes. Our business is predicated on talent, and the people and agencies listed here have contributed to a legacy of economic and creative success that is often overlooked.”

The 2012 President’s Award, presented by Rosie Arnold – Dan Wieden

“Dan Wieden is one of the most inspirational advertising brains of our age. His spirit remains restless and free, and he continues to cham­pion independent thinking and behaviour.

His work and that of his now numer­ous agencies lead the way across all disciplines. I’ve lost count of how many times I’ve seen a piece of work that has surprised and delighted me, and made me run up and down the corridors at work showing it to other creatives, only to discover it came from Wieden+ Kennedy. So when I asked myself if I should give Dan my President’s Award, I told myself, ‘Just Do It’.” Rosie Arnold, D&AD President

50th Birthday Honourary President’s Award – Derek Birdsall

In its 50th year, D&AD has decided to honour a designer who was not only central to its foundation but who has also been producing consistently outstanding work throughout all five decades of the organisation’s existence.

Typographer Alan Kitching, a former colleague and contempo­rary of Birdsal
l, explains what makes Birdsall so special.

Says Kitching: “He is a very inventive designer with an exceedingly fertile mind, so therefore he brings to the solution of a design problem his own particular take, which makes him unique. He’s probably the best book designer in the world.”

2012 Black Pencil – Lowe/SSP3, Colombia

Just one Black Pencil has been awarded by the D&AD judges this year, to a remarkable campaign to demobilise guerrillas in Colombia.

FARC Guerrillas don’t use any of the traditional media in Columbia, so rivers have become their most important channels of communica­tion and transportation. Every FARC base camp is built close to a river. The agency decided to use rivers as a means of delivering messages, letters and gifts at Christmas, which were sent inside waterproof capsules which lit up at night.

Says Terry Hunt, direct jury foreman: “Apart from the poignancy of the idea and the simple dignity of the execution, what impressed the judges about Rivers of Light was that these were soundly based on direct response technique. The best direct work is about cause and effect; the deliberate design of a communication to achieve a quantifiable response. Rivers of Light used personalization, targeting, the most appropriate direct medium and a clear call to action to achieve its aims while creating an event of transcendant significance. Rivers of Light is one of the purest examples of direct response creativity I have seen in 30 years in the business.”